Tuesday, December 15, 2020
James Chaser Memorial High School
Thursday, September 24, 2020
Echo Chamber
IN all honesty, part of me is amazed that human civilization has made it this far. Fall 2020. It's an election year - have you heard? Natural disasters abound - have you breathed the smoke, maybe your feet are wet if you live in Texas, Florida, Alabama, Mississippi. People I used to consider very good friends - or the closest of relatives - are now at the bottom of my secret pile of hidden-and-avoided Facebook friends. My dirty little secret. I've even unfriended a few people that I now wish I hadn't simply because they were expressing views that I didn't like. Maybe they shared a racist meme about Beyonce or were a little too strokey about their gun-fetish-as-sexual orientation. Look at me - I'm a judgmental person. How did this come to pass? I used to hold onto a diverse group of people in my life without digging in too deep about what their political stance or religious views were. I just liked them as people. Maybe I bought weed from them or went to grade school or played in band with them. Whatever was in their head was not the whole of who they were as a person and if I liked you, I liked you. But I've fallen prey to the divisiveness that so many others have - if you're not in my echo chamber, how could I be friends with you?
IN the early 2000s I like everyone else experienced the 9/11 attacks on that strange and fateful day. I was driving the produce truck in the very early hours of the morning through southern Oregon on I 5, on my way to deliver to Ashland and Medford accounts and then hitting a few farms to pick up palletized organic produce on the return trip to Eugene. Always a brutal-long day was this drive, starting about midnight and ending about 4pm - at the time legal but I believe the drive-time hours are a bit tighter in recent years. South of Roseburg, my truck would lose all radio reception until I got over a few hills to Grants Pass, where I would pick up the NPR station for the morning news out of habit. I was stunned when I started tuning in to a staticky report about the attacks. It was hot information, coming fast - a plane had hit the trade center - no, two planes. They were on fire - more static. The aggrieved reporter was just about yelling. I hadn't heard anything like this except in old movies about Pearl Harbor or World War II. ".... the tower ... is coming down ... oh my God," the voice went along. The tower? My mind tried to get around it - was he talking about the antennae on top of the building? That didn't make any sense nor did it seem that dramatic. What was the big deal? I was about to find out as the day progressed.
On the return trip north, I went by Brightside farm to pick up cucumbers, tomatoes and eggplant from my late friend Robert Jardeen, a notorious farmer who happened to be a wee bit of an alcoholic. As I pulled the semi in to his packing shed and got out to load the pallets, he shoved a beer into my hand. "We're going to join the army and fuck up Al Quaeda! Goddamn Osama Bin Ladin!" Of course, I couldn't drink the beer but I went into the shed where he and his buddies were watching the event on a very staticky television set. There I saw for the first time what the fuck was truly happening. Oh my god. I couldn't get my head around it. We all know now - it was a shocking day.
Fast forward a few years and this surreal event was still stewing in my head - how could the US allow this to happen? The question burned constantly With the advent of youtube - we know where this is heading - I fell down the rabbit hole of 9/11 conspiracy theories. It all made sense. An event of this magnitude couldn't happen to the most well-militarized, well-protected country - city even - on the planet. The US government had to have an invisible hand in this, guiding things along, allowing those planes to make that triple direct hit. Part of me still believes this, although I've tried to quash this unprovable theory in my own mind. It's how my brain makes sense of an unfathomable event. But it can't be proven true, and the evidence no longer exists for a proper investigation. Whatever the cause, the result is the same - lives were lost; political hawks had a heyday with the opportunity to further invade the middle east and Afghanistan - even though that didn't make any sense to those of us with opposing views. The hawks had the zeitgeist , they had the football and ran with it. Regardless of whether or not 9/11 was a conspiracy, it was both a tragedy and an opportunity.
The recent fires that swept through all the west coast states were undeniably horrible. There was no benefit to any of us from the fires - 1.5 million acres and counting lost in Oregon and Washington, an incomprehensible amount. The fires had been preceded and stoked by the ultimate wind storm, the likes the Northwest almost never sees in a dry September, blowing from the east towards the sea with gusts of 50-60 mph. On any average year there are several fires in our neck of the woods and it can become very smoky. 2020 felt different, if nothing else just because of the sheer magnitude and abundance of fires - from Southern California all the way to the Canadian border. Instantly, conspiracies started popping up on Facebook and other social sites. I understood why. Despite the obvious cause - to me anyway - that these fires were stoked by an unusual wind storm coming on the heels of the hottest summer on record, where all the timber and brush was ready to ignite with the slightest spark, I saw some other folks posting the various theories that "antifa" and Black Lives Matter instigators were starting these blazes - " how could this be possible otherwise? The entire west coast is on fire!" I understand how people fall for these easy but incorrect answers - I'm guilty of jumping to conclusions at times also.
I started this blog in the middle of the night - having trouble sleeping these days - how about you? I was having one of those late-night moments of clarity, an epiphany that I shouldn't discount my friends that don't share my typical bleeding-heart liberal/leftist views because I might not understand the circumstances that brought them to their understanding of the world and how things work. In my half-sleep state, I vowed to myself to stop hiding from those that I disagree with and just try talking to them a little more openly and without judgement. I've already tried hiding under a rock. I don't want to do that anymore.
Friday, April 24, 2020
Pandemic Panic: Week 6
OK I made this proto-grunge song today on the 4 track after we got back from the plant nursery we got a couple of new blueberry bushes to plant in our yard.)
Butt Hurt
Tuesday, March 31, 2020
The Head of Chuck Bukowski and other news
I like that my friends at Mustard Relics and Dan Jones and Mr. Random have all been blogging and creating on the multi-platform internet tool matrix. I've been Marco Polo'ing with Dan as a way to stay in touch. It's a new little platform to me but it's kind of fun to leave short video chats that the recipient can watch at their leisure. Technology is just a tool, it's all mystic strands in the matrix, man.
The Head of Chuck Bukowski is a song I first started working on back in 1994. I had heard on the news that Charles Bukowski was dead, and they actually ran some interview footage of Chuck in his later years. He was strangely sober, cordial and nice in the interview they ran. He always looked a lot like my dad. Like a lot of pretentious white kids who almost went to college, I've always had a fascination with Bukowski and his gritty underworld of cretins and sad-sack misfit characters. The first two verses I wrote back in 1994 and then shelved the whole song until now. I always liked the snakey riff, it's something that runs through my head all the time while I'm bopping around life.
Thanks for sheltering in place, and thanks for cooking at home and eating vegetables. Stay well!
-Ed in captivity
Saturday, March 21, 2020
Comfortably Numb 2021
I joked last time about the corona virus and covid-19; now the whole world is under temporary lock down to slow down the spread of the virus and hopefully not overtax our existing hospital system.
++++++++++++++++++++++++zds`````````````````````` ( the cat wrote that part)
Now, in Washington and Oregon. we've all been on semi quarantine for a week. Restaurants and bars shuttered until late April. My band's mini tour with Dan Jones and the Squids postponed, all events cancelled. Middle aged me is depressed that my victory lap tour was destined to be cancelled due to a killer virus. Bummer, dude!
I feel lucky I got to see a few great concerts in February before the shit down of society. John Cameron Mitchell at Revolution music hall was fantastic. I really dug his stories and his spot-on New York stage band, Tits of Clay. He came out in full Hedwig regalia along with his amazing back up singer, Amber Martin. I'm not sure of the guitarist's name, but he was really fantastic. I like the band Eyelids too that came up and did a couple of Lou Reed songs with JCM. "Waves of Fear," I could here the droning bass line while I was walking back from the bathroom and I knew in n instant what song it was. Fucking cathartic version, thanks guys. "I found a reason" by the Velvet Underground sounded blissful and had nice overlapping vocals, a beautiful sound.
Robin Hitchcock is of course one of my heroes and this time we got to see him at the old Church, a cool Portland venue that is in an ... old church. We ran into a few friends on the way in - we saw Chris Dorr, a pal from Eugene in the 90s and then as we were sitting down, we happened to be sitting next to my very good friend Guy Tyler, a fabulous musician I played with also in the late 90s in the band Velocirapture 2000, or V2K. We had a nice chat and then Robin came on and played "Astronomy Domine" on the piano and we all shut up and enjoyed his set. It felt just about as disjointed as the world is at this juncture. I've seen Robin before and he is often funny but this time the mood seemed slightly down. He played several cuts from Element of Light and Eye, both great collections of songs and his partner Emma Swift came up and sang with him for several songs. Sadly they covered some Beatles songs that seemed to drain the life out of the place but then he finished strong with some of his own best tunes fuck, I don't remember now, but it was meaningful and good. I love that guy but he ain't perfect and he ain't the best piano player in the world but his voice and eternal whimsical weirdo conversation is one of the God voices in my head.
Goddamn this virus has me a bit down as I am sure everyone else is feeling queasy and scared about our collective uncertain future. I called my mom and she is doing okay. All my siblings and offspring are all getting though all right but I worry for many other folks on the margins who might but out of work by this bar/restaurant shutdown - that's a fuckton of people, out of work and expected to still pay bills and survive. Thanks a lot capitalism. Not the perfect system but that's what we've got to work with.
I worked up this song Got No Feeling that used to be a Trouble Cuts jam that fell by the wayside. I've had it knocking around my head for a few weeks now and it jiust surmises my mood during this trying time of death, uncertainty and mistrust of the government, authority and all other kinds of bullshit that prevent us from being our pure, true selves. Got No Feeling.
Wednesday, March 04, 2020
All New Death Virus 2020
Saturday, February 22, 2020
The Fuzz RIP
A year later he was working alongside me at OGC, receiving trucks in the warehouse, stacking broccoli and apples in the coolers and then training behind the wheel with me as we rode around town in the 1996 International delivery truck. I knew he was writing songs. Daftly, I turned down the opportunity to contribute to his demo he was making at a local studio - it became For Your Radio, a classic blast of literate folk-punk and his calling card into the local songwriter scene. FYR was first a cassette and then re-released as a proper CD. He invited me to play electric guitar with him and Derek Trost on snare and brushes at a gig at Sam Bonds, so I woodshedded on his tunes from the tape and joined his duo without much rehearsal. I went direct into the PA with my trusty Sans Amp while Dan and Derek strummed and brushed away.
"Turn it up in the monitor - I want to hear what Ed's playing!" I remember Derek saying to the sound-person. Of course Dan slipped in some unexpected yet pretty easy cover tunes on the fly - maybe 'Love's gonna live here,' by Buck Owens or a Roger Miller tune or Meat Puppets' Lost on the Freeway, I don 't really recall, but I know it was a bucketful of fun.
Fast forward to the early 2000s - Dan and I would jam a lot in my garage, collaborating on goofy 4 track songs and trading off on instruments. I remember embryonic versions of his songs Cucumber Gods and Walkin' Blue and many others. I had the riff for The Fuzz but no title. We were already recording and Dan joined in with some cool guitar counterpoint while I stuck to the main, simple arrangement and mid section. It was a steady enough track that I was able to add drums and bass and a vocal after Dan left - voila! A song was born. No one really asks me what it's about, but 'the Fuzz' is my memory of the sound of Bob Mould's fuzzed out guitar from Husker Du's worst lp, Warehouse: Songs and Stories. It's the most rigid, solid state guitar sound of all time and yet totally unique - it didn't sound like stupid Whitesnake or Motley Crue. It was THE FUZZ and it drilled into my teenage mind like a mosquito buzz that I could never forget.
We had a band called Activator a few years later, with John Laney on bass and Eric Jensen on drums. In 2003 we recorded 10 songs at Jackpot studio in Portland, including the Fuzz, my song Vice Squad and a bunch of Dan songs that he later re-did for some of his own CDs - Hot Pink UFO and Airport City Taxi Limousine among them. I've always loved Dan's wash of sonic guitar on The Fuzz. It sounds like a slow-motion Jackson Pollock painting, globs of sonic paint flying all over he place. Hope you can dig; hope you can Remember the Fuzz.
Wednesday, February 19, 2020
False Spring
Saturday, February 15, 2020
2 am Blues
I started watching a great William S Burroughs documentary on Amazon streaming. Holy shit, what genius that man was. His influence runs far and wide. I can't wait to finish it. I relate to every single bit of it so far and have a big appreciation for crazy ol Bill and his cadre of colorful beatnik and alt-culture geniuses.
One strange thought pattern that was running through my mind tonight was a clip of James Baldwin being interviewed on tv in the 1960s, how his rage was barely contained and yet utterly articulated in his response to the hosts or the panel or whoever. It reminded me somehow of the Nina Simone song, Mississippi Goddamn, and I realized that Baldwin, Simone and every non-white intellectual in the history of the USA must feel the PTSD of living in a traumatic society of inferior intellects who gawk at them and treat them like animal curiosities when in fact nothing could be further from the truth. The immense frustration of being the wrong color of genius.
Wednesday, February 12, 2020
Can't Always Rock It
Trouble Cuts is still blazing along. We have shows upcoming in Seattle, Eugene and Portland during March. Very much looking forward (to Death!) to getting out of town and doing some keen rock sets with our friends. Here's the schedule:
March 19 - Darrell's Tavern, Shoreline, Wa (w/Dan Jones & Squids, VooDoo Gearshift)
March 20 - Sam Bond's, Eugene, Or (w/Dan Jones & Squids, VooDoo Gearshift)
March 21 - Alberta St Pub, Portland, Or (w/Dan Jones & Squids, VooDoo Gearshift)
Hope to see some familiar faces show up! I'm not kidding myself - I'll be happy if 5 people show up at any of these (well, Eugene will be great, that I know.) I'll try to keep blogging here for the near future.
Did you see any of that great footage of Mr. Bungle's reunion shows on youtube? This one is pretty fucking great: